Poetry — June 6, 2011 13:34 — 0 Comments

Carl Sandburg, Idols In The Sand, And Galesburg Shacks – Michael Lee Johnson

Idols are what idols appear to be.
They’re the sleep walkers,
the self-styled hobo’s,
saints in small villages

people living alone.
Birthright of saviors, railroad men, famous poets.
Birthright of little places, big hearts,
speakers of cold skillets and dainty bedrooms.
Folk songs fall, black and white,
divided cracks celebrated brick streets.
They form modest communities,
quiet spaces, momentous churches
named my denominations and breed
rail tracks divide their ideologies, brands
of beer, run down shacks divide their lives.
Property vultures, ex Maytag mongrels’
Maytag treason, traders of trade, traitors to Mexico,
walk simple steps away.
Jobbers walk and jobs move away.
Streets quiet lights, slate deserted
house shacks of many races abandoned, colors
form rows PMS color charts leading to his birth place;
folk songs, Swedish heritage, Remembrance Rock,
savior of a poetic dream born in a slum.
Just a roadside museum,
mile and a half walk from downtown,
summer sweat, drenching summer heat,
Galesburg railroad days June 2010, ending
beginning humidity, snippets of beer bottles
tossed around, Saturday night drunks
lie in flush untailored grass.
A three room shack, half pint bedroom,
curtains merge the window with sun rays,
more summer heat.
Idols grow as children, their ambitions
toss them away.
Idols are what idols appear to be.

Bio:

Michael Lee Johnson is a poet from Itasca, Illinois. His works “From Which Place the Morning Rises”, and “The Lost American: from Exile to Freedom” are available at: http://stores.lulu.com/promomanusa. His web site is http://poetryman.mysite.com.

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What am I?

Bioluminescent eye
That sees by the shine
Of its own light. Lies

Blind me. I am the seventh human sense
And my stepchild,
Consequence;

Scientists can't find me.

Januswise I make us men;
Glamour
Was my image then—

Remind me:

The awful fall up off all fours
From the forest
To the hours…

Tick, Tock: Divine me.

-- Richard Kenney